°ÊÁ°¤Ç¤¢¤ì¤Ð¡¢¥ô¥¡¡¼¥í¡¼¥ì¥°¡ÊVer Lor Reg¡Ë¤«¤é¥à¡¼¥ó¥²¡¼¥È¤Þ¤Ç¤Îι¤È¤¤¤¦¤Î¤Ï¤µ¤Û¤ÉŤ¯´¶¤¸¤ë¤³¤È¤Ï¤Ê¤¯¡¢Èà½÷¤¿¤Á°ì¹Ô¤Î¤è¤¦¤Ë¤Ø¤È¤Ø¤È¤Ë¤Ê¤ë¤³¤È¤â¤Ê¤«¤Ã¤¿¡£¥¤¥ë¥·¥§¥Ê¡¼¤Î¥Ò¥å¡¼¥Þ¥ó¤Î¿ô¤¬Áý¤¨¤¿¤³¤È¤Ç¹â¤Þ¤Ã¤¿¥ô¥¡¡¼¥í¡¼¥ì¥°¤Î³¹¤Î¶ÛÄ¥¤Ï¡¢°ìÉô¤Î¾¦Çä¿Í¤ä²È²¤Ë¤È¤Ã¤Æ¡¢¤â¤Ï¤äÂѤ¨¤é¤ì¤Ê¤¤¥ì¥Ù¥ë¤Ë¤Ê¤Ã¤Æ¤¤Æ¤¤¤¿¡£Êª²Á¤Ï¾å¾º¤·¡¢²¿À¤Âå¤Ë¤âÅϤäƤ³¤Î³¹¤ÇÊë¤é¤·¤Æ¤¤¿¥¬¡¼¥´¥¤¥ë¤Ç¤µ¤¨¡¢¤½¤³¤Ç¤ÎÀ¸³è¤òÄü¤á¤¶¤ë¤ò¤¨¤Ê¤¯¤Ê¤Ã¤Æ¤¤¤¿¡£Â¿¤¯¤Î¼Ô¤¬¡¢¥¶¡¼½÷²¦¡ÊQueen Zhah¡Ë¤Î¿½¤·½Ð¤ò¼õ¤±¤Æ³¹¤òµî¤Ã¤¿¡£¥¬¡¼¥É¤¿¤Á¤Ç¤¹¤é¿½¤·½Ð¤Ë±þ¤¸¤ë¼Ô¤¬½Ð¤¿¤Û¤É¤À¡£º½Çù¤Ë¤¤¤ë¥Ò¥å¡¼¥Þ¥ó¤¿¤Á¤¬º½¤ò·¡¤êµ¯¤³¤·¤¿¤¿¤á¤ËÍÍ¡¹¤Ê¥â¥ó¥¹¥¿¡¼¤¬¸Æ¤Ó´ó¤»¤é¤ì¤¿¡£²Ã¤¨¤Æ¡¢¥¨¥¯¥½¥À¥¹¥À¥ó¥¸¥ç¥ó¤ËÄ̤¸¤ë·ê¤¬³«¤¤¤Æµ¡³£¥â¥ó¥¹¥¿¡¼¤¬¼þ´üŪ¤Ë¸½¤ì»Ï¤á¡¢»öÂ֤ϵ޷ã¤Ë°¤¤Êý¸þ¤ËÆͤ¿Ê¤ó¤Ç¤¤¤¿¡£
¡Ö¤³¤Î³¹¤ËÂФ·¤Æ¤Î¸¥¿È¤È¹×¸¥¡¢¤½¤·¤ÆÆâ³°¤Î¶¼°ÒÇÓ½ü¤ËÂФ¹¤ë»Ù±ç³èÆ°¤ò¾Î¤¨¡¢¤³¤³¤Ë²æ¡¹¤Ï¡¢¥È¥ê¥ó¥·¥Ã¥¯¤Ë¤ª¤±¤ëÃ˼ߤξιæ¡ÊBaron of the city of Trinsic¡Ë¤ò£¤ë¤â¤Î¤Ç¤¢¤ê¤Þ¤¹¡£¤ª¤á¤Ç¤È¤¦¡¢¤³¤ì¤«¤é¤â´üÂÔ¤·¤Æ¤ª¤ê¤Þ¤¹¤¾¡×û¤¤¼°Åµ¤Ï½ª¤ï¤ê¡¢½¸¤Þ¤Ã¤¿Ã˽÷¤ÏÇï¼ê¤òÁ÷¤Ã¤¿¡£¿·¤¿¤ÊÃ˼ߤÎÃÂÀ¸¤À¡£º¤Æñ¤Ê¾õ¶·¤Ï³¤¤¤Æ¤¤¤¿¤¬¡¢º£¤¬ºÇ°¤Î»þ¤À¤È¤Ï»×¤ï¤Ê¤¤¼Ô¤â¤ª¤ê¡¢Â¾¤Î³¹¤Î¾¦¿Í¤¿¤ÁƱÍÍ¡¢¥È¥ê¥ó¥·¥Ã¥¯¤Î¾¦¿Í¤¿¤Á¤â·ë«¤ò¸Ç¤á¤Æ¤¤¤¿¡£¾¦¶È¤È¡¢Åܤì¤ë¿Í¡¹¤Ë¤è¤Ã¤ÆÄÉÊü¤µ¤ì¤¿¤«¤Ä¤Æ¤Îµ®Â²¤ÎÀ¸Â¸¼êÃʤò¼êÃæ¤Ë¤ª¤µ¤á¤¿¾¦¿Í¤¿¤Á¤Ï¡¢¸¢ÎϤò¤¤¤Ä¤Ç¤â²æ¤¬Êª¤Ë¤»¤ó¤È¤¹¤ëÀª¤¤¤Ç¡¢¤¤¤Þ¤ä»ö¼Â¾å¤Î»ÙÇۼԤȸÀ¤Ã¤Æ¤è¤«¤Ã¤¿¡£¤³¤ì¤Ï¾¦¿Í¤¿¤Á¤Ë¤È¤Ã¤Æ¤ÏÎɤ¤¤³¤È¤À¤¬¡¢´î¤Ð¤Ì¼Ô¤â¤¤¤¿¡£¤½¤ÎÃæ¤Î°ì¿Í¤¬¥Ð¥ë¥³¥Ë¡¼¤«¤éÃæÄí¤ò¸«²¼¤í¤·¡¢´ãÁ°¤Î¼°Åµ¤òÃãÈÖ¤À¤È¹Í¤¨¤Æ¤¤¤¿¡£
The Awakening – Act IV Part 2
Kai Schober
11 May 2012 12:44:19 EST
Written by the EM Team
It hadn¡Çt ever seemed like such a long journey from Ver Lor Reg to the moongate before, but their group had never been so haggard either. As the humans in Ilshenar had increased in numbers the strain on the city of Ver Lor Reg had grown to the point that it was no longer sustainable for some of the businesses and families. Prices had increased to the point that many of the gargoyles who¡Çd lived there for ages could no longer afford to remain. Queen Zhah¡Çs offer had tempted many away, and even some of the town guards had taken it up and left. With the pressure of the humans in the desert sifting and drawing in monsters of all sorts, combined with the opening into Exodus dungeon emitting the mechanical monsters regularly, the situation had quickly started devolving.
Vas-Wen helped to drag along one of her fellow gargoyles as they made their way through the desert towards the moongate, with a gargoyle child in her other arm. The few among them with weapons were tasked with clearing a path through the dangerous areas. She was one of the few who had managed to escape uninjured when the end had started, and now she was doing everything she could to help her fellow gargoyles get away from what was left of their once glorious and beautiful city. It had just happened so fast, it still all seemed like a dream¡Ä
A crashing noise awoke her from slumber, causing her to bolt upright in the stone bed. Assuming someone had dropped something, she rolled over in an attempt to sleep but not before another, much louder, crash broke her attempt. A moment later a sparking and hissing monstrosity was flung through the open archway, and a guard quickly dashed in after it, burying his spear deep into the creature and ripping out it¡Çs mechanized guts as the whine of its engine finally ceased. Vas-Wen clutched at her nightclothes as she looked to the guard, whose breathing she could now tell was ragged and from whom blood flowed freely onto the floor. The guard looked to her with a startled visage. ¡ÈThis area was supposed to already be cleared! Get out of here and head for the gate, and if you know how to fight, arm yourself!¡É With that the guard rushed out into the street once more. Warily, she stepped through the stone archway from whence the guard had just come.
Ver Lor Reg was in chaos. The scents of burning oil and reagents clung heavily in the air, and the sickening essence of blood followed it like a chaser. Screams and clashing weapons rang throughout the entirety of the city, and to the west she could see guards clashing with Overseers, Minions, and even those once thought extinct Minion Lords. She could see that there was no way the outnumbered force could hold the mechanized monsters at bay, and they were in a fighting retreat. Hearing a cry in a nearby home she realized with dread that it was that of a child. Without even thinking, she sprinted towards the building, bursting into the open archway in time to see a juggernaut enclosing upon a lone gargish child. With a roar of fury she didn¡Çt even know she could make, Vas-Wen leapt on top of the creature and raked its exposed human parts until she reached its throat, and dug her talons into it. The mixed spray of blood and alchemical fluid that powered the monstrosity quickly seeped into the creatures exposed circuitry and it cast out arcs of lightning through its body until the creature slumped and its drill finally grinded to a halt.
She quickly moved forward to the child and took him up in her arms, heading past the defunct creature even as a much more vicious looking version of the one she¡Çd killed smashed through the wall and into the building. The massive drill attached to it whirred with blurring speed and wailed like the sound of a dragon¡Çs claws upon stone. With a flap of her wings she threw herself through the doorway as the structure collapsed, feeling strong hands help her up as she joined the retreat, hoping she never saw one of these creatures ever again¡Ä
As she¡Çd thought back to what had just happened, they finally reached the moongate and stepped through. Exiting into the sunlight of Ter Mur they were spotted by one of the Ter Mur gargoyles who immediately sent out a wave of alarm, though amidst his shouts he had to pause to cough a few times. As the healers and envoys rushed out of the city to attend to their brethren from Ver Lor Reg, Vas-Wen could only watch and wish she could do more.
¡ÈFor your contributions and your dedication to the city, as well as in removing and assisting in the detention of threats both domestic and foreign, it is the decision of this body that you be recognized as a Baron of the city of Trinsic. Congratulations and we hope that you will serve well.¡É The assembled men and women applauded as the brief ceremony concluded, and the newest Baron was named. Despite the hardships they¡Çd endured, not everyone was finding this to be the worst of times, and the merchants of Trinsic had banded together as had those of several other cities. With trading and most of the means of survival in their hands with many of the former nobles ousted by the angry people, the merchants had been able to seize power, and were now in a state of de facto control. While this worked out well for them, not everyone was so pleased with it, one of them being the man who watched what he viewed as a farcical ceremony from a balcony overlooking the inner courtyard.
Stroking his goatee for a moment, the man turned to his servant that was with him, scanning his face for his thoughts on the matter. After but a few seconds he broke the silence and spoke to him. ¡ÈTell me, Clancy, what do you think of merchants assuming the role of lauded council?¡É Unmistakable sarcasm dripped with every word he spoke.
Clancy frowned for a moment and just shook his head. ¡ÈLord Archus, I do not think it bodes well for the future of our fair city.¡É
Lord Archus turned back to look down upon the gathered and then did an about face, his cloak hovering just above the floor. ¡ÈAs much as it bothers me, I fear it is not the primary concern at the moment. I¡Çve been trying to decide what is possible to do about the situation that¡Çs occurred in Ver Lor Reg. After receiving word of the hardships they are facing I¡Çve come to my decision. Come with me, and we shall see if the expensive favors I burned have borne the fruit that I need and brought me the only messenger that might be able to get through to him¡Ä¡É
The unmistakable sound of valorite clashing against verite, of iron against copper, and bronze against agapite rang throughout the battlefield. A fierce contingent of knights backed up by a scant few mages were doing their best to fight off every attack thrown at them by the wild beasts and assassins that beset upon them, even while necromancers did their best to level the field anytime the knights started to make headway.
A rallying cry shot up as a man in gleaming, polished armor charged into the front lines, a banner flapping violently against the wind from the horses back as he threw himself into the fray. His helmet was adorned on either side with a battered but clear crest, that of a deep violet chalice. Dazzling sword strokes and parries were flung against the enemy combatants, causing the beastmasters, poisoners, and necromancers formation to quickly crumble. Even as the line advanced the scavengers were already starting to populate the battlefield, rats and crows finding those bodies not already used up from the foul magicks being used. Amidst the noise of battle and the intensity of the fighting, an abnormally behaving mouse was never noticed.
The leader of the knights shouted out for one last surge, and he dismounted as a fireball lanced out and took his steed upon its flank. On foot he closed the distance between himself and the one who appeared to be his opposite number amongst the enemy forces, and quickly brought his blade to bear against her. With a vicious snarl the woman raised a kryss to block, and they locked blades for but a moment before he managed to bring his shield to bear, and bashed her with it. In a single motion she brought a potion to her lips, ripped the cork out and drank it, and with an invigorated look she motioned for the plate armored knight to come at her. Both of them fought on even as their armies continued to battle, until finally the knight managed to gain the upper hand and knocked her to the ground. Hefting one of his plate armored boots onto her sternum he leveled his sword to her face.
"If you know where she is, tell me, and I will serve the virtue of Compassion over Justice today. If you don¡Çt, then I hope your last words are worth it.¡É
The woman glared daggers at him, a bloody mouthed smile playing across her lips that was devoid of anything resembling warmth as she coughed out her answer. ¡ÈShe¡Çs beyond your reach, Knight-Errant. And she¡Çs beyond your power too. Your little kingdom is crumbling at the seams and we¡Çll be there to pick up the pieces when¡Ä¡É
Her response was cut short as the knight drew his sword back and silenced her forever. Without a word he turned from her body, surveying the scene before him; those enemy forces still alive were now in full retreat, and most of his forces were walking, if not unwounded. He slashed the blood from his blade and slid it home into its sheath at his waist as he approached his lieutenants, but was stopped as a peculiar rodent ran across the battlefield to him. As he saw her, he doffed his helmet and shook out the sweat from his raven locks, before kneeling to pick up an old friend.
¡ÈYou are the last I expected to see in these lands, Sherry. I can only assume that it¡Çs of dire importance.¡É
The knights voice still had a sonorous quality to it, one that brought a touch of familiarity that Sherry had found less and less of amongst others of late, and she made a silent thanks that at least here something hadn¡Çt changed.
¡ÈLord Dupre, it¡Çs about the current state of¡Ä¡É
Reaching a plate gloved hand up he rubbed at his temples lightly for a moment before he held that same hand out in a gesture of asking her to halt. ¡ÈFor you, it¡Çs simply Dupre. But come, I fear this is the kind of talk I won¡Çt be able to handle if I don¡Çt have access to a drink. I promise to only get you the finest of delicacies to nibble on as well.¡É With that having been said, he gathered up the reins of his steed and waited for one of his mages to provide them with a gate, and stepped through it with Sherry the Mouse in one arm¡Ä
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The Awakening – Act IV
Kai Schober
30 Apr 2012 14:56:14 EST
Written by the EM Team
The thundering echoes of metal clashing against stone rose up again from the western walls, as yet another of the mechanical beasts managed to clamber its way out of the hole that led to their entombed shrine to do battle with the Gargish defenders. Alone the creatures were not a lethal threat, but any mistake would lead to injuries, and the gargoyles could not replenish their forces as the machines did. Add to that the defecting gargoyles that joined the twisted and insane controllers inside the mechanized temple to a long dormant deity, and Ver Lor Reg sat on a precarious perch. And though the sounds of valorous physical battle carried from the site, a far different but decidedly no less heated battle took place inside their council chambers.
¡ÈTo say we have dealt with the creatures of this land since Ver Lor Reg was created and we have never once faltered. To think that this is an unconquerable force is unworthy of our people. To say that we should accept the offer of Zhah¡Äis unbecoming.¡É
A rustling of leathery wings showed the gargoyles¡Ç displeasure at the tone struck by Vis-Lem. ¡ÈZhah¡Çs offer of refuge and treatise is favorable and generous; Driven by worry of losing some of your power, Vis-Lem?¡É
Vis-Lem bared his teeth for a moment at Res-Vor. ¡ÈTo say that establishing Ver Lor Reg was a monumental accomplishment is an understatement; The machines are threatening, but the influx of visitors is helping businesses¡Ä¡É
An-Rel-Tar raised a clawed hand for a moment for silence, and everyone ceased. It had been some time since they had heard the aged gargoyle speak. Clearing his throat for a moment, he stood and gestured to the other gargoyles at the stone table. ¡ÈThe elves¡Ähumans¡Äand even fellow gargoyles are straining our resources. There is only so much the land and our mages can provide, and with central Ilshenar sealed so have a plethora of our resources been sealed beyond our reach. The gold is good, yes¡Äbut of what use is it when the Britannians suffer from raiders in their own cities and caravans are scarce? Think on it long and hard, my friends¡ÄIt is no easy decision to make. We stand at a precipice, and must make sure we do not plunge off of it.¡É
As An-Rel-Tar finished, he turned to walk out and the other gargoyles knew that regardless of whether or not they had anything else to say, for now at least, this meeting was finished.
San-Lem had spent several years as a healer here in Ver Lor Reg, and before that she¡Çd wandered through the wilds of Ilshenar, and it was a testament to her ability to recognize danger and steer clear of it that she¡Çd survived as long as she had. The recent skirmishes in the city had set her and many others nerves on edge regarding the current situation, and the heavy traffic through the area didn¡Çt help. Change begets change, she thought¡Äand change was often a violent and destructive process. She¡Çd made up her mind some weeks ago, and had only just now finished her preparations, trading what coin she had for rations and supplies. It ached within her to think of no longer being able to feel the touch of cool marble beneath her clawed feet, but she¡Çd already made up her mind.
As she passed through the gates of the cities and headed between the great marble pillars that marked where they had conquered the deserts of Ilshenar, she took one last look at the city before drawing her wings around her. She turned and headed north, passing a small group of humans with some sort of tool she¡Çd never seen before. They were taking great scoops of the desert up and shaking loose the sand, finding rocks and bits of stone and marble from the initial constructions. Shaking her head she walked on, thinking that she¡Çd never understand the humans no matter how many generations of their people she lived through.
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Publish 76 comes to TC1
Tim Chappell
1 May 2012 16:08:14 EST
Here are the publish notes for publish 76 comming to TC1. Enjoy!
Publish 76.0.0
Gardening System
Vanilla has been added to the Gardening System
Vanilla seeds can be found on Exodus mobs inside Exodus Dungeon
Vanilla plants will produce vanilla and additional vanilla seeds
Vanilla plants cannot be crosspollinated with other plants
It is possible to get mutant colored vanilla plants using conventional gardening techniques
Covetous Dungeon Revamp
Level One – Still a great place to farm feathers but added a few suprises.
Level Two – Contains the Void Pool
Covetous Level 2 represents a new style of PvM for Ultima Online. Instead of farming monsters for treasure, the players¡Ç task is to defend the Void Pool from Cora¡Çs minions. Cora will invade the dungeon with endless waves of monsters. Each wave is tougher than the last. The monsters do not drop loot, and instead players score points for making kills or assisting in making kills.
Level Three – Cora and her Minions
When she was denied advanced knowledge of mana by the Codex of Infinite Wisdom, the sorceress Cora became enraged. In her pique, she poured all of her enormous energy into a magical spell and focused it onto the Codex. Despite the sheer power of the Codex, she wrested a few pages from its binding.
The magical blast also bored a hole through the Void Between Places, anchored by a section of stone from the Codex¡Çs podium. Cora and the pages from the Codex were pushed through the hole in space.
The far end of the hole erupted into the middle of Dungeon Covetous. Injured, and with her own ability to channel mana damaged, Cora retreated deeper into the dungeon. Over time, she recovered, and now sends minions enhanced by magic to attempt to capture more pages of knowledge from within the Void Pool.
Use of travel spells near the Void Pool in Covetous is impossible because of the twist in space, so Cora must gate her minions into the dungeon from a distance.
Void Pool Points
Once you have gained enough void pool points visit Vela the Sorceress in Minoc, outside the Old Miners Supply building.
New Artifacts found in Covetous
Armor
Savage Chieftain¡Çs Headdress
Intelligence Bonus 8
Mana Regeneration 2
Reflect Physical Damage 15%
Lower Mana Cost 10%
Physical Resist 10%
Fire Resist 9%
Poison Resist 10%
Energy Resist 25%
Crown of Insight
Intelligence Bonus 8
Mana Increase 15
Mana Regeneration 2
Defense Chance Increase 5%
Lower Mana Cost 8%
Physical Resist 9%
Fire Resist 3%
Cold Resist 6%
Poison Resist 3%
Energy Resist 17%
Headdress of Evil
Hit Point Regeneration 2
Stamina Regeneration 3
Damage Increase 25%
Physical Resist 18%
Fire Resist 3%
Cold Resist 7%
Poison Resist 17%
Energy Resist 6%
Decay Point Change
Factions, Virtue, and City Loyality points will not decay if you log in daily anytime after maintenance.
Except to the rule is faction points will decay if they are over a hundred regardless if you log in or not.
Pirates and Merchants in Tokuno
We have added Pirates and Merchant ships to Tokuno waters
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Interview with TheGrimmOmen - UO Lead CG Supervisor
Thank you to TheGrimmOmen for taking time out of his busy schedule to answer our interview.
Q: What is your official job title? What does it cover/involve?
A: My official title is Lead CG Supervisor. Generally, a Lead CG Sup is in charge of tools (evaluation, creation, implementation, and support) and pipeline (the processes that artists follow to create art and get that artwork into the game) development. Since I¡Çve been doing UO art for¡Ä a long time now, my responsibilities currently also include Art Lead/Director responsibilities, which include schedule development for the art team, as well as writing up reviews and feedback for artwork being developed for UO. I also get to do concept artwork and on a good day, animation for our creatures. I¡Çm also responsible for processing all the artwork we create to get it in the game.
Q: What other games do you play? What hobbies do you have?
A: I¡Çm a big first person shooter player. I liked Black Ops, but LOVE Battlefield 3. I played Counter Strike for YEARS. Love innovative games like Osmosis, the Portal Games, and a game on the Ipad that has to do with sound waves that I can¡Çt think of the name right now. Oddly enough, I don¡Çt take to MMO¡Çs very well. Ultima is the only one that I¡Çve played for more than 2 months, and I¡Çve tried A LOT. Since the question will inevitably come up, yes I play UO, but not regularly. I play on Lake Superior, although I don¡Çt play under Grimm Omen. Actually, I just got through clearing my house and starting re-designing it from scratch.
As for Hobbies, I really enjoy carpentry, gardening, fishing (warm water and salmon), sculpting, masonry, teaching (local community college), coding (C# in Unity, Actionscripting in Flash, and sometimes just odd stuff in C#). I also play the Great highland bagpipes and compete almost monthly.
Q: What is your all time favorite gaming console? Why?
A: You know, I think I still have a special place in my heart for the Dreamcast. I bloody loved that console! It had terrific graphics capabilities, and it produced a beautiful picture on the TV. I think it really got short changed and never got to live up to its potential.
Q: Kilt preferences... traditional or tactical ballistic?
A: I can¡Çt really take a high road on this topic. There¡Çs a school of thought amongst the kilt wearers that anything outside of your traditional kilt is some kind of abomination. But I think there are some who can look good in a Utilikilt or tactical kilt, but for me, if I¡Çm going to drop $200 + on a kilt, it¡Çs going to be a traditional kilt. Right now, it just doesn¡Çt make economical sense to spend that kind of money on an ¡Èevery day kilt¡É when I can get a nice pair of jeans for a fraction of the cost. Also, it¡Çs nice to get complimented on a full kilt since people are more used to seeing the Utilikilt styles.
Q: Have you tried haggis and what did you think?
A: I¡Çve had American haggis (made mostly of beef), and thought it was pretty good. As far as I know, traditional Scottish haggis is still banned in the U.S. because it contains sheep lungs. So I can¡Çt say I¡Çve had traditional Scottish Haggis, but I¡Çd love to try it some day!
Q: From start to finish, what is a typical day like in the shoes of GrimmOmen?
A: Get up, grab a shower.. oh wait – too far in the morning?? Ok. Well, the first thing I usually do in the mornings is go through and review art dailies, this is where I review our artist work and prep feedback information for them. We (the UO team) have a daily team meeting where we discuss what we¡Çre going to be working on for that day. Usually I check in our bug database to see if there¡Çs anything new. After that it¡Çs pretty much the soup de jour. I get started on whatever items are on the critical list for that day. These things might be getting some reference material and concept art together for upcoming tasks, might be sending emails like ¡ÈWhat¡Çs the status on this asset??¡É
Good days are when I¡Çm on the creative side of the job, making concept artwork or animations, or working on various aspects of our art pipeline. The tough days are ¡Èprocessing¡É days when artwork gets completed and needs to be setup technically to be processed by our pipeline¡Ä and rendering¡Ä days when there is a lot of rendering can make the day just drag by, it¡Çs can literally be work 5 minutes, render for 20, build and check assets in the game, rinse and repeat. Animations and multi tile objects are the worst in this respect. Oh yea, days in which I get creature animations delivered in is like Christmas morning¡Ä every time.
Since I keep East Coast time here on the west coast, I usually have to take a little break in the morning to grab some breakfast around 9am, let my dogs outside to do their business, then I¡Çll grab another 30 or so for lunch when my schedule permits.
Q: What is your proudest moment as an artist for UO? In general?
A: In UO¡Ä I¡Çd have to say that that UOKR (I was the character lead) is one of my proudest moments. Despite some of things we could have done better, completing around 500 characters and the THOUSANDS of animations, in addition to rendering out enough final frames to complete around 12 1 hour animated TV episodes (30 x 60 x 60 x 12 = you do the math!) in the time we had to do in and with the number of people. And that¡Çs not even taking into consideration how much iteration of characters and # of times we re-rendered the animations! It was a MASSIVE undertaking, and we had a top notch team. I miss ¡Æem a lot.
In recent times though, I really enjoyed how much the players had fun with the Halloween jack-o-lanterns last year – it was very rewarding to see players having fun playing an Idea I had. It¡Çs a rarity since I don¡Çt venture into designer territory too often.
There is one thing coming up that I¡Çm really excited and at the same time nervous about. But I think it¡Çs going to be be awesome.
Q: Have you worked on other games as an artist? If so, which ones?
A: Ohh yea. Most of my game art history has little in the way of artistic awesomeness, but I¡Çve worked on a lot of the army men games for the Playstation and N64 consoles. While they weren¡Çt visually stunning, I learned a lot about how engines handle graphics – which has served me well in my career. I also was an artist on one of the Heroes of Might and Magic titles, and was an artist on what would have been an awesome game called 4 Horsemen of the Apocalypse. I was also an artist/ tech artist for a project for the U.S. Army – then I came over to EA have been an artist in various capacities on UO since.
Q: If there was one thing you would change about UO what would it be?
A: I¡Çd make UO a hybrid 2D/3D game, possibly using the Unity client and get UO to be a cross-platform game. That¡Çs assuming I didn¡Çt have to worry about all the resource and technical hurdles required to pull that off!
Q: How does a concept sketch get turned into production art in game?
A: It¡Çs pretty straight forward, actually. The artist gets the piece of concept art, and depending on the complexity, bring it into a 3D client and models the asset. Using Photoshop, they create the textures that get applied to the 3D model. All along the way there are lots of daily reviews of the art assets progress. Once that¡Çs done, it gets handed off to me to make sure naming conventions are correct, and to get added into our asset resource manager, and then I use our custom tool set to render out the final art pieces that go into the game.
Q: What programs are used to create artwork and items that eventually get added into game?
A: I used a host of tools. I use 3D Studio Max for all the 3D work, Photoshop for some of the 2D stuff, and DeBabelizer Pro for a lot of the 2D batch processing. We also have a suite of custom tools I wrote to handle things like art processing, compositing, and XML code creation.
Q: Do you have any advice for folks who want to be a video game artist?
A: Yea! Make sure you learn traditional art and design before you go anywhere near a computer. The difference between someone who only took ¡Ègame artist¡É focused art classes and someone who actually took the traditional art path background is huge. Learn art history and color theory. All that stuff. And when you¡Çre done, hit your local Barns and Noble or neighborhood bookstore and look for reference material. I have easily over a 100 of books covering topics like anatomy – human and animal, architectural books, airplanes, tanks, etc. Reference material will make or break your artwork.
Q: When playing a computer game, what is the most important to you: graphics, gameplay or story? Why?
A: Gameplay, hands down. Gameplay is what the art of game design is all about. If you don¡Çt have that, then glossy artwork isn¡Çt going to make your game better. If the game design is solid and fun to play then the art quality doesn¡Çt really matter that much – as long as it doesn¡Çt detract from playing the game. You know you¡Çre doing something right when art doesn¡Çt matter.
Q: From Woody : If you could add anything you wanted into Ultima Online what would it be?
A: Werewolves – tied to the lunar cycles, I wrote up a whole thing on it. What we have right now is more of a costume. As a true werewolf you¡Çd have to deal with the animal side of your nature taking over. You see some benefits, but those would be balanced with the curse side of things. It could also be a cool opportunity to loop in the Forensic Evaluation, Item and taste ID, cooking, etc. into the lore so that players could RP werewolf hunters as well. I¡Çd also like to see UO transformed back into a more dynamic and living world – with some safeguards to accommodate for the ¡Èkiller¡É player types out there. Oh yea, and if you attack a bear in UO, it would hand you your butt on a silver platter.
Q: From Hinreissend : What is the main focus from an art point of view this year: new art or improving on current art?
A: Both. This might sound like fence riding, and it is! But at any given time I¡Çm working on both improvements and new artwork. They¡Çre both priorities, but as for what gets on my list of ¡Èmust get done¡É for each publish, that¡Çs up to Jeff and Bonnie, and those priorities can change from week to week.
Q: From Tancred RedStar : How long (hours) does it take a create the artwork for a single new piece of clothing for the 2D client? 3D client?
A: The 2D and 3D clients, for the most part follow down the same pipeline and diverge at various points due to requirements of each of the clients. But generally speaking, each asset can take about a month to complete. Creatures can easily take 2 to 3 months.
I wanted to send a semi-farewell to you. My role as character lead is changing into a new position on the UO team. While it¡Çs not entirely out of the UO Art Department, my new position of technical artist on UO entails a lot more work in art tools development than it does in the actual creation of creatures and wearables. Over the course of development for UOKR, a lot of tools had been developed for art creation and as tools in general go, they need maintenance and development. My technical background makes me an excellent candidate (if I do say so myself ;-)) and it¡Çs a role I¡Çm very excited to take on. My current duties will be absorbed by our Art Director (who you can thank for the new female paper doll character art), and we will continue to have the fantastic help of our Lead Animator who not only has well over 10 years of animation experience, but has also GM¡Çed several characters in UO.
So to keep this short and sweet (Ok, maybe just sweet), it¡Çs been great being an art lead on UO, UOKR, Stygian Abyss, and all the anniversaries and publishes in-between. It¡Çs not often in game development that you get the opportunity to work on something that you can feel proud of. Not just in the work that you¡Çve done but what the final product stands for. For me, working on UO has been and will continue to be wonderful not just because we have top notch developers who care about UO, but also because you, the Stewards of UO who have supported us not just in compliments, but also in criticisms both constructive and scathing. All serve to benefit UO, so keep them coming as we continue on with KR, your participation in the development of UO is and had been essential to keeping UO great.
Sincerely,
JP ¡ÈGrimm¡É Harrod
TheGrimmOmen
UO Lead Artist
Dinner to Kaiser: Or, Changing Roles.
07/24/07 04:00 PM
I just wanted to take some time out to say ¡Èhello¡É from the art department. I know that for the most part there hasn't been a lot of communication from the art side of the development team, but I'm hoping to correct that from this point forward.
I hope to be able to answer questions regarding Art and UO. While I¡Çll try to answer as many questions as I can, there will be some that I can¡Çt answer due to a lack of time or other factors, so I appreciate your understanding. That being said, I look forward to hearing from each of you.
